Using performance art as a form of resistance is not new, and we need only a cursory look at theater and film to remind us how filmmakers and playwrights have used performance to call out unfair treatment of people by power and authority. Euripides’s The Trojan Women; Shakespeare’s Richard III; Arthur Miller’s The Crucible; and more recently, Francis Ford Coppola‘s Apocalypse Now; Steven Spielberg‘s Amistad; Ava DuVernay‘ Selma; and James Cameron’s Avatar all touch on powerful political and social issues that inspire audience response above and beyond mere entertainment. Even George Lucas’s Star Wars is often viewed as a post-colonialist critique warning against a dystopian fascist future.
Therefore it makes sense that Palestinians participating in The Freedom Theatre in the West Bank use theater and performance as a tactic of resistance, learning, and cultural expression. read more
Just out of high school and not quite in college, Aylam Rosenthal is couch-surfing in Israel or perhaps working on a kibbutz right now. Although American, he spends time in Israel with his dad or grandparents, and he carries with him a family gift: his digital camera. His style of photography is highly colorful and light, and his images of peers convey romantic transformations from adolescence to adulthood equal to what you’ll see in GAP lifestyle advertising or Real Simple editorial. This could be a narrative of a young man traveling abroad leaving a trail of Instagram and Facebook photo journal images chronicling discovery of culture and heritage. However, he has ventured past Israeli security crossings into Palestinian territory, zone B, where he’s gained the trust of villagers, photographed them, and retold their stories. read more
The important thing to know about Heartbeat is that it is an educational instrument for changing the dynamic between Israeli and Palestinian inequality using creative communication, its vehicle being music. By choosing music — an art form that is, hands down, the most widely distributed, universal, and addictive of cultural art forms — the lessons propagated through Heartbeat’s curriculum lead its Israeli and Palestinian youth participants on a path that diverges from socially conditioned confrontation to creative partnership by demanding equality toward fellow musicians and devotion to making music. read more
Graffiti was, at one time, unauthorized written or illustrated messages placed in public places using a variety of art materials that facilitated speedy application for the graffiti author. Speed was important, of course, because the author-artist had only a small window of opportunity to paint without being apprehended. Now, however, unauthorized graffiti has given birth to a highly sophisticated authorized art form, and it has changed from an on-the-run public nuisance to a highly respected and sought-after public space art genre, especially in urban areas where graffiti artists can attain significant popularity and media presence. Yet for artists in politically-challenged areas of the world who use graffiti to graphically chronicle resistance, money, public recognition and celebritydom are often forfeited to advance social justice for them and their people. read more
Dubai photographer, Tamara Abdul Hadi, lets Palestinians capture their own images. She sets up a camera with an extended shutter cable and lets the subjects photograph themselves. In this fashion, the photo subjects display greater apprehension to take a more formal photo versus that of the common smartphone selfie. read more